The elegant and wild Japanese swan photograph entitled ’Swan Lake’ is an archival work on paper by legendary wildlife photographer and humanitarian, David Yarrow. The photograph was taken during an expedition to Japan while visiting Lake Kussharo in 2017. Yarrow is a master captured movement, as the graceful open winged bird stands on top of an icy lake, the magic of the frozen moment was seized. The fine art details and snow white frozen dreamscape communicates the tranquility of the quiet moment to the viewer. This rare limited edition work is of very few in existence and is signed, dated, and numbered on the lower front corners. The work comes in a sleek custom made black frame with light cream matte and top tier protective glass. Yarrow shares of his experience taking the photograph, “To the best of my knowledge, I don’t think that I have ever photographed swans well before – and indeed most images that I do see on Google or elsewhere, struggle to beat the threshold of what is banal. Swans are not uncommon and we all have access to the Serpentine in London or village ponds across the country. I can’t conceive how a picture taken in such a setting that would be evocative or eye grabbing. Swans have become an inadvertent accomplice to lazy postcard photography. This is all very harsh on the swan – it is such a majestic bird – with attitude, dignity and above all grace. Tchaikovsky opened our eyes to this 140 years ago and subsequent generations of celebrated stage choreographers have reinforced our adoration for the swan. The ballet probably forged the notion that swans are at home dancing in the snow and ice – a far more aesthetically pleasing concept than imaging them scrapping around in a muddy park in Berkshire. Russia gave the world Swan Lake and have earned the right to dictate climatic associations. Just as Dr Zhivago could never have been filmed in the summer, swans are surely best photographed in the bitter winter. It is the winter that personifies Russia and Northern Asia, not the summer. The romanticist within me had a preconception of where I could take a strong swan image and today the twin forces of research and luck came together shortly before 8.30am on the frozen ice of Lake Kussharo in Northern Hokkaido, Japan. My central premise was that there should be as much white in the picture as possible – white from the snow, white from the ice and of course white from the whooper swan’s pristine plume of feathers. The greater the cocktail of whites, the greater the possibility of an image that could be ethereal as well as evocative. My approach was to create a dream, not necessarily report on reality. In one small section of shore on Lake Kussharo, hot springs melt away the ice at the lakeside and the swans come here in large numbers over the winter. I wanted as much contextually in the image and therefore used an extreme wide angle lens. This meant getting fairly wet – but the water was warm for me too. I have looked at the image a great deal today and my eye keeps returning to the neck – just like a ballerina, this neck is all important.” David Yarrow, born 1966 in Scotland, took up photography at an early age, as a 20-year-old he found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, he took the sensationalized picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other high profile sporting events. Many years later, David established himself as a fine art photographer by documenting the natural world from new perspectives and the last nine years have been career-defining for his mark on the world of contemporary fine art photography. David Yarrow’s evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following amongst art collectors and celebrities. His distinct large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. Yarrow is now recognized as one of the best-selling fine art photographers in the world and his limited edition works regularly sell at high prices at Sotheby’s and other auction houses. In September 2019, Rizzoli published their second book by David Yarrow, with a personal foreword written by global NFL star Tom Brady and thoughtful afterword written by, American cultural icon and supermodel, Cindy Crawford. All royalties from the book have been donated to conservation charities Tusk, in the UK and WildAid, in the US. Yarrow's position in the industry has been rewarded with a wide range of advisory and ambassadorial roles. Yarrow is an ambassador for WildArk and The Kevin Richardson Foundation, and the European ambassador for Nikon. Yarrow has been integral to Nikon's most anticipated camera release of the last decade. In December 2017, he shot LVMH’s latest “Don’t Crack Under Pressure” campaign with Cara Delevingne. In January 2019, he was appointed as a global ambassador for UBS. In the spring of 2020, Yarrow was appointed a Global Ambassador for Best Buddies – one of America’s most established children’s charities. Yarrow became an ambassador for African Community and Conservation Foundation and presented his work in the Endangered Rangers virtual fundraiser. At the start of 2020, Yarrow was in Australia documenting the devastating bush fires that have destroyed communities, wildlife, and wildlands. Using the striking images that he captured of the effects of the fire, he launched the #KoalaComeback Campaign to support the recovery efforts in Australia. The campaign raised over $1.4m, as Yarrow continues to work for humanitarian causes, his steadfast determination continues to make positive change for the benefit of global awareness. In present day, Yarrow continues to create stunning imagery with lasting global impact and archival quality that speaks to his reverence for the art of photography in capturing the wonders of the world.